Irving Berlin’s White Christmas – REVIEW

Irving Berlin’s White Christmas – REVIEW

Dominion Theatre, London


Irving Berlin’s White Christmas The Musical – Gala Performance

Dominion Theatre, London


Reviewed by Mark Sykes

Seen November 25th, 2019


This reviewer, at the ripe old age of 55(!), has literally spent a lifetime watching the classic White Christmas movie, so having missed out on seeing this production when it premiered at the Curve, Leicester in December 2018, I was really looking forward to finally seeing this story come to life on-stage – and thankfully the evening lived up to my expectations.

Without getting too much into the details of a story that no doubt the majority of readers will be familiar with, it focuses on two WW2 army veterans (Wallace and Davis) who become a major song-and-dance act after their careers end. They bump into the Haynes sisters, who are also a popular song-and-dance act with a burgeoning career. They all end up at a winter lodge in Vermont that is sadly lacking any snow. Wallace and Davis bump into their former General, the owner of the lodge, who has bills piling up as the lack of snow means a dearth of paying customers. Wallace, Davis and the Haynes sisters concoct a plan to put on a Christmas concert at the lodge to help out the General. The parallel story is one of love between the army veterans and the two sisters – one relationship comes easy, the other needs some matchmaking to be done!

The staging at the Dominion Theatre focuses on the barn at the lodge where the Christmas concert is to be held. The simple wooden structure enables the various sets to seamlessly transition between scenes, whether it’s a New York ballroom, a train carriage, or the reception of the Vermont lodge. Interestingly, the band were situated on-stage to the left of the audience and split over two levels of the barn. For me this worked well (as it wasn’t a large orchestra) and enabled them to support some of the scenes more effectively than if they’d been hidden away elsewhere. I particularly loved the neon lighting that often featured in the set design created by Michael Taylor, and overall everything worked well whether it was simple or complex scene.

The highlights of the show for me happened on the big song-and-dance numbers. The vast expanse of the Dominion stage provided ample space for all of the cast to be involved in Stephen Mear’s wonderful choreography. On more than one occasion these big numbers had me thinking back to the recent hit production of 42nd Street which was impressively led by Clare Halse, and which is fitting seeing as that Clare is one of the Haynes sisters and is tremendous throughout. The other sister is Danielle Hope, she has the most wonderful voice and who I last saw demonstrating her vocal prowess in concert at The Other Palace back in the summer. Clare and Danielle work well together as sisters with excellent dynamics between the two of them.

Danny Mac as Wallace and Dan Burton as Phil Davis wouldn’t seem out of place in the original movie. They have the looks, can sing the American songbook, and have dancing skills that make it look so effortless. Following on in the footsteps of Bing Crosby and Danny Kaye is an enormous undertaking, but they do the show justice – never more so than in the big energetic song-and-dance numbers previously mentioned. It’s on those occasions that the Dominion really comes alive and takes on a different dimension.

General Waverley is played by Michael Brandon. Again, showing my age here, Michael became particularly well-known in the UK as a result of the 80’s TV series Dempsey & Makepeace, of which I was a big fan. It was great to see him on stage, and this native New Yorker was perfect casting for the ageing (sorry Michael!) American General. Brenda Edwards was the crafty receptionist at the lodge charged with keeping both the lodge and the General under control. A former X Factor contestant from 2005, Brenda has a wonderful voice that when she lets rip, makes you immediately think of her standing up in church delivering a gospel classic. Which is ideal seeing as she’s appearing as Deloris in the Sister Act UK tour in 2020.

All of the cast were wonderful. Whether it was the singing, the dancing or the numerous comedic moments, there wasn’t one weak link. There is one other person that I would like to highlight though, and that is the General’s niece. This role is alternated across three children and for the Gala night it was Erin Rushidi. Erin was truly outstanding, particularly with the comic timing, and pretty much stole every scene that she was in. The audience loved her! She is a tremendous talent and definitely one to watch out for in the future.

As for the show itself, it gets off to a slightly slow start as the foundations of the story are built at the start of act one in the army days, but that quickly moves on and then the rest of the show pretty much flies by. Song after familiar song happens apace, and whilst you’re waiting in anticipation for ‘that’ final scene, you can’t help but revel in the visual feast in front of your eyes. There are some wonderful costumes, designed by Diego Pitarch.

This production follows the storyline very closely, and there were a number of times when I was getting quite emotional seeing elements of the movie come to life in front of my very eyes. Whilst the finale was always going to be a special moment, another highlight was when Bob Wallace and Betty Haynes sang ‘Count Your Blessings Instead of Sheep’. Danny Mac and Danielle Hope performed this beautifully, and yes there may well have been a tear in my eye at the end of that song. So, to the finale itself, White Christmas. This was everything I wanted it to be. Yes, we all know what happens when the barn doors are opened, but it was fabulous to see this scene come to life and the snow begin to fall.

Director Nikolai Foster has done a brilliant job with this production. I suspect the majority of audience members will be familiar with the story and have seen the movie before (who hasn’t?!); well none of these should leave disappointed. Yes, some elements of the storyline and some of the jokes may seem dated in the 21st century, but if you walk into the theatre putting all that aside, you will find yourself with a definite smile on your face, a chuckle here and there (well actually, quite a few chuckles!), and a propensity to want to sing along! And on that latter point, everyone gets the opportunity to do that at the end.

Even the most hardened of hearts cannot fail to be softened by what they see and hear in this production. Everyone will be leaving the theatre with a smile on their face, maybe a few tears in their eyes, and no doubt looking forward to seeing the movie on TV again this Christmas. For me, I’m seeing the show again over the Christmas period, and I can’t give a better recommendation than that!

White Christmas will be continuing to provide cheer during this festive season. Be sure to catch this winter warmer. More information on the show and tickets can be found here.

La Bohème – REVIEW

La Bohème

Trafalgar Studios 2, London


La Bohème

Trafalgar Studios 2, London


Seen on December 14th, 2017

Reviewed by Jade Prince


All theatre nerds will know this story as the classic opera which inspired the smash hit musical ‘Rent’. For those unfamiliar with it, La Bohème is an intertwining of addiction and love both set to collide. Which will stand tall at the end? Love? Drugs?

This is a modern take on Puccini’s classic opera which is undeniably timeless. Adam Spreadbury-Maher and Becca Marriott have created a brand new retelling of the story which made me laugh and cry.

I’ve really wanted to see this show for a long time and seeing this brand new adaptation of it was stunning. It is so contemporary. Most certainly not a traditional opera. In my mind, an opera is this huge grand affair which lasts for hours with several acts but this is the complete opposite. I found that really refreshing.

The venue itself is so intimate. The cast don’t use any microphones because they just aren’t needed. I loved the way the intimate venue was used to the performers benefit (but more on that in a short while!)

In this version the first act is very comical. Lots of jokes thrown in referencing recent politics and news. A real bromance is seen between Mark and Ralph. The first act also really showed off the set and lighting creatives’ talent. The lighting (by Nic Farman) was great. The apartment was softly lit with several lamps adding to the soft light. Whereas the next scene in the pub was a harsh chandelier radiating yellow beams with another spot light focused on the area. It was very much the typical pub lighting you would expect. The set was also fabulous, it was distressed and mismatched but it didn’t distract your eye from the performance.

Another highlight of act 1 was the use of the audience during the pub scene. With it being such an intimate venue they really used it well. A lively vibe was created. One you’d expect in a pub during the Christmas period.

The performance itself was kept very simple and the music was also in keeping with this. Throughout the whole show it was just a pianist and cellist playing. Rather beautiful.

One song shorty into act 2 was beautiful to listen to however I couldn’t understand any of the lyrics sung. This was really difficult simply because all four actors were singing at once and no microphones were used so certain voices couldn’t be highlighted at certain times. The four voices were wonderful but when all at once, drowned each other out. As expected act 2 was incredibly emotional and Becca Marriott (Mimi) handled this so well. Mimi is a very difficult character to portray but it seemed to come so naturally to her. The other stand out performer was Honey Rouhani (Musetta). I absolutely adored her performance! She had the most ad-libs in the script as she had so much interaction with audience members during act 1. She was brilliant at this and I loved how she was so comfortable with the character she could strike up conversations with some male ‘prey’ in the audience to pass the time when her dialogue went quiet during the scene. Another thing I must say is that Matthew Kimble (Ralph) can sing to me anytime! His voice! Dreamy!

If  I were to describe this show in two words it would have to be ‘powerful’ and ’emotional’

La Bohème is booking until 6th January 2018. This is such a beautiful piece and if you get the chance, do go see it. More information on the show and tickets can be found here: 

From The Box Office are doing a great offer currently where you can save up to 50% on tickets: