Six – The Musical

SIX

Vaudeville Theatre , London

Reviewed by Jade Prince

Seen Wednesday November 10th, 2021

★★★★★

There is no denying that Six has been on a mission to ensure its harmonising presence is known around the world from the second it landed at Edinburgh Fringe in 2017. Since then, nothing has been able to stop this game changer of a show…not even a pandemic could shake the Queendom! 

The stage was graced with a few covers tonight (including one final time for a Queen). Due to this I feel this write up needs to be presented in a slightly different format as, in keeping with the show, each Queen deserves the chance to shine.

Catherine of Aragon (Jarnéia Richard-Noel)

In my eyes Jarnéia is an OG. This has been a role owned by Jarnéia for a number of years and that length of time with the character can be seen clearly on stage. Jarnéia’s confidence is the first thing the audience sees and it sets a solid foundation for the other Queens to build upon. 

Anne Boleyn (Courtney Bowman)

There’s no denying that Boleyn is my favourite Queen and I didn’t think the role could be any better than it previously was…until I saw Courtney. Oh. My. Word. I was crying with laughter and not just through ‘Don’t Lose Ur Head’. Courtney was very close to stealing the show with her expressions and quick-witted reactions. 

Jane Seymour (Collette Guitart – Super Swing)

To be frank, Jane Seymour is normally a Queen I easily overlook. I have always viewed it as a lull in the show that loses me a little UNTIL seeing Collette singing ‘Heart of Stone’. The song never normally gets me but this time I was starting to tear up. The way Collette portrayed the grief through out the song and was able to keep it building was wondrous to see. I do believe she has helped changed my mind on this song! 

NOTE: I also spent most of the show knowing I’d seen Colette somewhere else and could not put my finger on it. It turns out it was 27: Rise of a Falling Star at the Cockpit theatre!

Anna of Cleves (Cherelle Jay – Alternate Anne Boleyn)

Another cover! Yay for covers! And Cherelle was so good! I loved the way she put a London council estate vibe into the character. It was such a joy to see Cherelle genuinely enjoying the song and milking those bragging rights to the other Queens. 

Katherine Howard (Sophie Isaacs) 

Sophie is a tiny pink package of dynamite who causes a huge explosion on the stage when given her time to shine. Throughout the show she is more reserved than other Queens but ensures she is remembered when the moment comes. ‘All You Wanna Do’ is a number I love to listen to but struggle to watch and I attribute that to the subtle body language changes throughout the song. Watching Sophie perform this was no different and did a fantastic job. 

Catherine Parr (Hana Stewart – Alternate Catherine Parr)

I didn’t realise I needed to see Hana as Cathrine Parr until I saw Hana as Cathrine Parr. It just so happened that this was her final night with the show and Hana definitely brought the house down with those riffs! Hana gave us a masterclass on how to build a number and leave the audience wanting and encore from Parr! 

The show is outstanding, the evidence is clear; having a show in London, New York, Chicago, touring the UK as well as Australia and New Zealand within the space of 5 years from it’s Edinburgh Fringe premier is one hell of an achievement. 

I’d also like to acknowledge the casting team who have always casted the Queens to perfection each time I have seen the show. 

More information on the show as well as tickets (including those for international readers) can be found here. I really hope you get the chance to see this groundbreaking show and if you have already seen it, that you get to see it again very soon! 

Stay safe and stay stagey! 

Lorna Dallas: Stages – REVIEW

Lorna Dallas: Stages

The Crazy Coqs, Live at Zédel, London

Reviewed by Mark Sykes

Seen March 6th, 2019

★★★★

Lorna Dallas has had an illustrious career spanning many decades, but has only recently returned to the stage after a 20-year hiatus. From Broadway to the West End (and many locations in between); from Show Boat to Hello Dolly! (and countless others), Lorna Dallas has ‘been there, done that’  – and then some! The journey from being a small town girl in Illinois, to a world-renowned stage performer is what provides the setting in Lorna’s latest one-woman show called Stages.

The show sees Lorna on stage alongside her Musical Director on piano, Chris Denny. Stages begins its journey in Lorna’s childhood years in Illinois and her parent’s initial disapproval of her having any thoughts of a singing career. Her opening number of “There’s No Business Like Show Business / A Glamourous Night” instantly proved that age hasn’t dampened those soaring soprano vocals and Lorna immediately had the audience (sprinkled with some familiar showbiz faces) enthralled.

The show, directed by Barry Kleinbort, was littered with songs written by some of the most famous names in music, such as Irving Berlin, Stephen Sondheim, Cole Porter, Kurt Weill, Kander & Ebb, etc. What stood out for me though was many of the songs were not the usual fare that you would usually hear in this type of show. Each song had been perfectly curated to fit Lorna’s life story, both on-stage and off, with each having a specific personal meaning to her. 

The singing career of Lorna Dallas really began when she won a singing contest whilst still in high school. With 20,000 contestants participating, that first showed the pedigree that she had and which would provide the initial foundation for the lengthy career that was to follow. 

Songs such as “Blues In The Night” (by Harold Arlen and Johnny Mercer) and Cole Porter’s “Never Give Anything Away” (with additional lyrics by show director Barry Kleinbort) continued Lorna’s journey. Songs were interjected by fascinating stories and anecdotes, many amusing but with some striking a more personal note. “Poor Little Hollywood Star / At The Crossroads” was another song for Lorna to display her vocal skills, and it was here that she impressively proved that she could still hold a note.

There is certainly an eclectic mix of song choices in Stages, but it was obvious that much thought had gone into their selection. I suppose none more so that Jerome Kern and P.G. Wodehouse’s song “London, Dear Old London” from their 1922 musical comedy The Cabaret Girl. This fitted well with Lorna’s 2-year stint in Show Boat starring alongside Cleo Laine, and a time that she fell in love with this great city.

The highlight of the evening for me had to be Lorna’s performance of Larry Grossman & Hal Hackaday’s “Empty”. It was a stunning rendition of such a beautiful song; unbelievably, the song was cut prior to the opening of the 1970 Broadway show Minnie’s Boys. Lorna also sang one of my personal favourites, “Teach Me Tonight”, written by Gene de Paul and Sammy Cahn. Whilst the song was written in 1953 (well before I was born!), Lorna’s interpretation still feels fresh – and it also provided the opportunity to shine the light on Chris Denny’s keyboard skills with a lovely solo spot. 

The raw emotions of the evening came to the fore with Ivor Novello & Christopher Hassall’s “My Dearest Dear”. The song has a deep personal meaning for Lorna and it left a deep imprint on the hearts of the audience as well. It was a special moment of the evening.

The evening ended with Anthony Newley & Herbert Kkretzmer’s “If All The World’s A Stage”. It was a perfect way to round off a wonderful journey through time. From a small town in Illinois, to shows such as The King And I and even a Royal Variety Performance in front of Her Majesty, the Queen Mother, Lorna Dallas has come a long way. For me it was as much about the personal tales used to segue the song choices as it was the actual songs being performed; but putting them together lead to perfect combination of music and chat.

The fact that Lorna can continue to deliver shows like Stages to sell out audiences, and importantly provide a fresh interpretation on songs that go back to the early decades of the 20th century, is proof of her pedigree and staying power – the likes of which is such a rare commodity in the 21st century.

The Luna Cinema

The Luna Cinema

Lydiard Park, Swindon

 

Seen August 10th, 2018

Reviewed by Jade Prince

★★★★★

You may be asking “Why is a theatre blog reviewing a cinema experience?” Well, I do hear that cry! The answer,  The Luna Cinema is showing an awful lot of theatre inspired movies and movies that eventually went to the stage as plays or musicals. What a time to be alive! 

I’ve heard bits about The Luna Cinema for a long time now but this year it has seemed to have really taken off…the weather probably helped with this! They advertise pretty much everywhere on social media and I just so happened to stumble across a post advertising one coming up in my home town. They were showing Pretty Woman in front of Lydiard House and I was needing to see this with my friend, Jenny, as we are both flying out to New York in October to see it on Broadway!

The premise of  The Luna Cinema is rather simple. It is a cinema, outside and under the stars. It is such a cute idea!

I knew the layout of Lydiard Park and I wasn’t too sure how this would work but I was in awe at how organised everything was. From the carpark it was clear exactly where we had to go. A short walk through the trees and you were at the open space. The whole Luna Cinema area was sectioned off. The gates opened at 7pm which gave plenty of time to find a wonderful spot, have a picnic and a few drinks with friends.

Entering The Luna Cinema arena we were greeted by friendly staff. I had a great laugh with the guy on the premium entry gate!

Everything was set up in a really orderly fashion. There were toilets, a pizza stand (I am not sure if this changes at each venue? It would be great if they used local vendors) and a bar which served an array of drinks. It wasn’t too over priced either which is always a pleasant surprise! At the bar you can also purchase blankets and backrests if the ground becomes to unbearable to sit on however they are also very happy for you to bring along your own folding picnic chair.

Once in, I pitched up near the front but honestly the screen was big enough to not cause a problem for those at the back.

Before the film, they had music playing in the background. The film was scheduled to start at 8:30pm however this was slightly delayed as the light would interfere with the projection. I did applaud that part. The team were not rushing to start the film. They wanted to make sure that everyone could enjoy the film from the onset in the most optimal lighting.

To end, I thought that it was a really cute event. This was the perfect setting to see Pretty Woman. You got to lay back, what the film and the stars darting across the sky.

The Luna Cinema happens at many different venues all across the UK so be sure to check their website to find your local venue and what they are showing!

There is also Luna Kids Cinema so the little ones can keep their eyes open during the whole film.

 

 

Broken wings – REVIEW

Broken Wings

Theatre Royal Haymarket, London

 

Seen August 1st, 2018

Reviewed by Mark Sykes

★★★★★

Having followed the development of the new musical Broken Wings for quite a while on social media, then obtained the concept album back in May and watched the YouTube recordings in awe of the talent on display, it was with much excitement that I visited the Theatre Royal Haymarket on Wednesday 1^stAugust 2018 for its world premiere performance.  It was a stunning portrayal of a story about love, heartbreak and tragedy, and which leaves a lasting impression on the audience.

I’ll admit that until Broken Wings surfaced as a new musical in development, I had never heard of the poet Kahlil Gibran, the third best-selling poet of all time.  But having worked in Saudi Arabia for 6 months (in part wanting to learn more about their culture), Broken Wings once more sparked my interest in the Middle East and has provided an opportunity to learn a bit more about the culture of this region.

The show has a simple stage setting – the rear half has the orchestra sat either side of a raised element.  In the first act, the older Gibran (supremely played by co-writer Nadim Naaman) is positioned here with his writing table as he narrates his story and watches on as his younger self (played by Rob Houchen) enacts his early life in the front half of the stage.  The first act introduces all of the main characters and provides the setting for Gibran and Selma to meet and form a relationship that ultimately can never be consummated.  I have seen Rob Houchen a number of times this year and he always impresses with his dynamite vocals.  He has great chemistry with Selma, portrayed by the wonderful Nikita Johal.  Nikita deserves special praise as she stepped-up from the ensemble at short notice to take on the lead role, and she performed it with a great sense of assurance and poise.

Selma’s father, Farris (Adam Linstead) and the Bishop (Irvine Iqbal) also provide focal elements of the story.  Whilst Farris can see the blossoming relationship between his daughter and Gibran, he is persuaded by the Bishop to give her hand in marriage to another – and sets in motion a sequence of events that will lead to heartbreak and tragedy.  Whilst Selma is married off to a philandering man she doesn’t love, her friendship with Gibran is rekindled via a series of illicit meetings.  Ultimately though, Selma’s pregnancy and subsequent events (no spoilers here!) provide a devastating conclusion to this love story.

The second act has the staging partly reversed, with the older Gibran at the front of the stage providing narration for some of the scenes playing out on the raised element.  I found this actually worked quite well; the lack of endless scenery transitions kept the story front and centre and continued to flow seamlessly.  Having the orchestra on the stage was nice to see (and neatly dressed in appropriate attire) and was a positive enhancement.  The only negative of the staging was the use of smoke/dry ice.  I felt it didn’t add anything to the story or atmosphere; indeed there were occasions when events taking place in Farris’s garden were almost overwhelmed by the smoke (albeit this was less obtrusive in act 2).

The music, lyrics and orchestrations are really excellent and I would heartily recommend people buy the concept album if you don’t already have a copy.  The stand-out songs are Selma and Spirit Of The Earth.  This latter song (and it’s reprise as part of the Finale) is probably the highlight of the entire show.  It brings the entire cast front and centre in an electric-charged performance that brings a lump in the throat; it compares equally to any of the big numbers in the likes of Les Miserables, Miss Saigon, etc.  Here though, I have to single out Soophia Foroughi who provides the lead vocals for this song and also plays Gibran’s mother.  I am in love with this voice!  If you watch the YouTube video of Spirit Of The Earth you’ll understand, but Soophia is one of those artists that sound even better live.  A simply supreme vocal performance.

The entire cast, including ensemble members, were excellent; there wasn’t a single weak link.  Joe Davison (Conductor) and the orchestra were also faultless; and again it was so nice to be able to see them in a West End show.

As for Nadim Naaman and Dana Al Fardan, they have created something special.  I so much hope that the four days at the Theatre Royal Haymarket is just the beginning for the stage show.  It deserves an opportunity to grow and mature, and to perhaps come back bigger and better.  Yes, I learned a bit more about Middle Eastern life, but people shouldn’t let it’s Lebanese origins put them off wanting to see this.  Miss Saigon has a love story at its heart, with Vietnam as its setting; Broken Wings has similar parallels (as do many other successful musicals).  Put any prejudices to one side and watch and listen to a genuine love story; you will be rewarded well.

Click here to see Hiba Elchikhe (Selma) and Rob Houchen (Younger Gibran) perform I know Now from the Broken Wings original concept album.

If you don’t already have the concept album, you can order it here.

Flashdance (UK tour) – REVIEW

Flashdance (UK tour)

Bristol Hippodrome, Bristol

 

Seen June 26th, 2018

Reviewed by Jade Prince

★★

My advice: If you want a fun night out with your girlfriends, a couple of drink, see a show with good music and some well known songs, this is the show for you. However, if you are like me; see theatre on a regular basis, know what you are looking for and want to see a perfectly executed show…then…this isn’t for you. At all.

We all know the film Flashdance. Yes, Fame’s nearly forgotten sister.

I hate to say this however I can’t help but feel this product is straying towards this same path.

I can see it has potential but what it really lacks is commitment.

The standard was not there. Everything was messy. The choreography was the biggest let down. For a show with such a heavy bulk of dance involved, I was expecting so much more. Instead we go horrendous spacing on stage and 20 different energy levels. From the audience I could feel no connection between the cast on stage. This was even more prominent in the dance numbers that required partner work and group work. A few cast members were going all out! High kicks so high, precise and extended there might be a chance of a hip dislocation. Whereas others gave minimal effort or even found themselves several beats behind racing to catch up. Unfortunately, being off beat was a regular occurrence.

This isn’t me saying the choreography was bad. It was simply the delivery. I can’t fault Matt Cole’s work. Matt has definitely created high energy movement on stage…when executed well.

The staging was nice. I did enjoy the set and its movement through the different scenes. The two levels worked well. It really came into play when there were two different locations in the same scene. I just wish some of the actors remained in character when walking from upstage centre, having exited from the back stairs of the raised platform, to the wings. Some were evidently out of character and this whole walk section was exposed. Wait until you’re in the wings!

Performance-wise the show was rather bland. The script and delivery was mediocre. The vocals were good. Some stand out performers included Joanne Clifton (Alex Owens) and Emily Kenwright (on as cover Gloria for this particular performance). For the majority of the show I found myself focusing on Emily. She has a great stage presence. Although there was one scene where I did not want her to demand my focus but she still continued doing so. I didn’t want to focus on her not because of her performance but because of the costume. The opening number of act two had these lovely gold, shimmery halter neck dressed. The back is exposed therefore you either wear no bra, a strapless flesh colour bra or a regular flesh colour bra. These are forgivable. But not a regular white bra. Straps on show and everything. Glaring out into the audience like a little gremlin! I had to demonstrate some breathing exercises during this number. How did this get through costume?!

In short, I felt like I was watching a high school production. The vocals were the best part. This show could be something incredible with the right budget and time to nurture it further. It fell into the stereotype that touring shows are trying to shake; limited budget, time, resources which was very sad to see.

It’s meant to be a feel good show about chasing your dreams except this feeling was lost as it traveled off stage into the audience.

Flashdance is still touring the UK if you have a girls night out planned!

Information on the show, tour stops and tickets can be found at http://www.flashdanceuktour.co.uk

 

West End Sings Whitney Houston supporting Women’s Aid – REVIEW

West End Sings Whitney Houston supporting Women’s Aid

The London Cabaret Club, London

 

Seen May 20th, 2018

Reviewed by Jade Prince

★★★★★

(All photos included in this post are all my own. Hence the amatuer feel!)

This was possibly the very best charity cabaret event I have ever seen.

The talent was to die for, the charity deserved every penny and the whole event was executed perfectly!

West End Sings is a new charity concept with very specific themes. There are the odd one or two events similar by they don’t have this unique quality. This debut event had a rather spectacular theme. One that fit the chosen charity like a glove! It was songs from the one and only, Queen Whitney Houston!!! To sing Whitney songs, you need some smashing vocals and the performers did not disappoint!

Our host for the night was Norman Pace. Along with everything else, he was perfect! The right amount the comedy, the right amount of cheese but also kept the show moving at a good pace.

In total we were treated to 15 performers display the stunning work of Whitney.

Above we have Damien Winchester (currently in Aladdin as swing/cover Genie) singing I’m Every Woman/Million Dollar Bill.

Here we have a picture of Sabrina Aloueche (Chess) killing I Will Always Love You. I bit song to sing but. she. nailed. it.

Nathaniel Morrison (Founder of West End Gospel Choir) singing Greatest Love of All. Damn. Did he slay! This performance gave me life and Nathaniel worked it! He worked that stay, he worked the floor, he worked every part of The London Cabaret Club!

This was a beautiful rendition of How Will I Know sung by Charlotte Riby (Recently in Jesus Christ Superstar at Regent’s Park Open Air Theatre)

The attention drifted during the interval but the moment that first note left Liam Tamne’s lips, the room was under his spell! Liam performed I’m Your Baby Tonight/So Emotional.

I’ve always loved Lucie Shorthouse’s voice ever since I saw her last year in Everybody’s Talking About Jamie and her performance of It’s Not Right But It’s Okay melted my heart!

This has to be my favourite Whitney song. That is the stunning Run To You. I take my hat off to Summer Strallen (currently paying Inga in Young Frankenstein). It was truly mesmerising!

The event itself was organised and at no point was the charity out of focus. As soon as you walked into The London Cabaret Club, you know what you were there for. Projections were found on the walls in the main concert hall. I have been to many ‘charity’ events where the show starts and the charity is pushed into the background and forgotten. Not with this one and it made me so happy! It was also a charity I hold so close to my heart!

As I mentioned, this is a new venture for West End Sing but I know for sure I will be there 100% of the way! I am very excited to see the next one scheduled in for later this year. They may or may not have revealed the next theme…BRUNO MARS!!!

This is an event crafted with love and passion by all people involved! I am sure we will see you at the next one!

Follow West End Sings on twitter so you now exactly when the tickets go on sale for West End Sings Bruno Mars!

P.S. if Mr. Producer man happens to read this, we so need a Taylor Swift one. This mega swiftie would be in her element! Thanks.

 

 

 

Fat Jewels – REVIEW

Fat Jewels

The Hope Theatre, London

 

Seen July 6th, 2018

Reviewed by Jade Prince

★★★★

In the heart of a South Yorkshire council estate lies a lonely and dangerous newly evolving, manipulative friendship. Two repressed characters fighting their own demons. One night they start therapy. Therapy to help Pat (Hugh Train) as he is helplessly overcome by dark, violent thoughts. This therapy conveniently masks Danny’s (Robert Walters) own issues. This controlling piece will demand your attention.

The whole concept was great and it evoked many emotions. I started sympathising with the characters and then this feeling changed to disgust with something one of them said. This turned to laughter and then I found myself on the fence not knowing which side to take but in the end I was rooting for Pat whilst also feeling really sorry for Danny.

This is a very captivating show. I really enjoyed it. It was a rollercoaster but a very stable rollercoaster of emotions and intensity. It was spot on! I do love a dark comedy and some of the one liners were fab. A couple of the life analogies very nearly resulted in belly laughter! I did hope it would be funnier but I feel that was partly on the audience. There were not a lot of us there. When that happens, people get very worried about starting the laughter for fear of being the only person laughing. I’d love to see this with a full house. I image it’ll be a completely different show!

Robert Walter’s performance had me on the edge of my seat. From the onset, you could see the sexual predator in him. His glare towards Pat in those first scenes conveyed so many different aspects of his personality. My psychology brain was making an appearance and I could see the fatherly love towards Pat but also the sexual attraction and the controlling desire.

Hats off to Robert Walters and Hugh Train for delivering that performance. I saw it on a very quiet night with very few people in the audience but they kept the energy level consistent throughout and delivered an entrancing performance Both needing someone regardless of how they created the friendship.

For 70 minutes you are surrounded by the undeniable sense of loneliness and smell of battered sausage and chips. It is slightly overwhelming! You will be craving greasy sausage and chips on the way home.

I urge you to see this piece. Beautifully crafted with such a wonderful script. There is a lot more to be seen with this play. I would be really intrigued to to see other piece from the writer, Joseph Skelton.

Fat Jewels is at The Hope Theatre until July 21st. This isn’t one to miss. Tickets are £15 (£12 concession). More information and tickets can be found here.

Knights of the Rose – REVIEW

Knights of the Rose

The Arts Theatre, London

 

Seen July 5th, 2018

Reviewed by Jade Prince

★★★

I was really rooting for this show to be much more. Having seen this talented cast perform on numerous occasions and sounds epic each time, I had high hopes. Unfortunately, the music and vocals couldn’t carry the show alone.

Knights of the Rose is meant to be an epic Shakespearean tale of love, betrayal and sacrifice but a lot of this seemed under developed. The rock score was what made the show unique and exciting with music from Bon Jovi, Meat Loaf and Bonnie Tyler to name a few.

I do want to take a moment to appreciate the cast. Wow! These guys were great! Their voices were incredible! Pretty much every number sounded brilliant!

This biggest let down for me was the fact the show didn’t know what it was. It was right in the middle of being a serious Shakespearean play and a cliche rock playlist put to a story. The songs were used very literally throughout the show and several had the audience laughing within the first bar. A reaction along the line of “Oh my God, are they really using this song!”. I mean, with the literal use, the songs worked very well.

I felt that a lot fo the characters were under developed. One moment the princesses were madly in love, the next, not interested. And then through a drastic change in circumstance, about to marry a man you had know idea they were interested in!

The staging was rather nice. Two levels and sections which moved in order to show the scene changes from the castle, to the bar, to the battle field. One scene that really sticks in my mind was the battle scene in act 2 with the horses. I want to say it was the number “The War To Win”. This was a pretty spectacular scene! The horse head puppets were beautiful and the use of the mesh screen down stage was stunning. You really felt like you were in the heart of the battle with the pouring rain.

I have to say the writing really made you root for certain characters. At one point you wanted the so call ‘villain’ to be killed by the man he betrayed and just when you think it could happen, your hopes were crushed! It was nice to see that aspect wasn’t predictable.

I really need to take a moment to point out a flaw which I couldn’t stop noticing. The shoes. Oh, the shoes. The male shoes were fine but the female shoes were a no, no. They were modern high street shoes. It was as if they were going to get off stage, rip their historical dresses off and hit the town! They were definitely not in-keeping with the time period.

I think if it was developed more into a lighthearted Shakespeare rock musical it could enjoy great success. Or maybe it is there already? It is just needing some way to convey this to the audience.

Overall, this was an enjoyable show. I would recommend it but don’t go in there expecting anything flash. The music and vocal performance was really what made the show for me.

Knights of the Rose is playing at The Arts Theatre until Sunday 26th August.

Information on the show and tickets can be found at: http://knightsoftherose.co.uk

Also don’t forget to follow Knights of the Rose of twitter.

If you are still intrigued, we got to still down briefly with Katie Birtill and Rebekah Lowings at the press call. Check out the short interview here.

The Lion King

The Lion King

Lyceum Theatre, London 

 

Seen May 19th, 2018

Written by Jade Prince 

This will only be a quick one about Lion King simply because I feel this show doesn’t need another review. I simply want to document my thoughts because all of mu previous beliefs were totally wrong!

I always said I’d never see Lion King as it was overrated, over-priced and dated. Boy, do I retract those statements!

I was in London on a Saturday and had no matinee show so I decided to pop in to the box office to see what the day seat situation looked like. I wasn’t;t expecting anything as ti was 10:30am. Lo and behold they had one lonely seat left. For £20, how could I refuse. So I was seeing the show I had always labelled as overrated.

I tell you what, as soon as the opening number started, “The Circle of Life”, I had chills everywhere! It didn’t take much more to make me cry like a baby. As soon as the giraffes came out I was gone!

Regardless of how long its been in the west end, it still works that Disney magic. Its classic Disney magic.

The puppetry was stunning, Not just the animals but also the scenery. Those grass costumes were so creative!

With the incredible feeling that show gave me, I could so easily get addicted to it!

It was nothing high tech but it worked so well. I never expected that stage and my mind was blown by the way if was used to create those iconic scenes we all know and love.

I could go on but I’ll stop it here. I love it and have never has that kind of reaction with a show!

I’m going again!!!!!!

Chit-Chat and Tea: Knights of the Rose

I greet thee!

In celebration on Knights of the Rose officially opening tonight, here is a little exclusive!

Who got to have a quick chat with Rebekah Lowings (Isabel) and Katie Birtill (Hannah) at the press call a couple of weeks ago! The night was so much fun! It was at a medieval banquet! We had some great bellytimber! (<– its an actual medieval word!) I got some great footage which I am in the process of editing so that will be uploaded as soon as its finished!

To start with, we had to ask the basic – Why should be come and see the show?

Katie: It’s so passionate, we have got some fantastic rock songs. It’s a tale of love and betrayal and sacrifice and its really got a lot of heart and soul as well as being a wonderful night of rock entertainment.

Rebekah: It is just sheer passion. It is just so incredible to be on stage with so many people who feel passion and love for the rock music and for the scripture. I mean Jenny (Jennifer Marsden) is absolutely incredible, she’s written this beautiful piece.

Katie: Really luscious language.

Rebekah: The language is ‘Game of Thrones”, very sort of ‘A Knight’s Tale’, Bon Jovi. It’s just like any girls dream to be a princess…but we get to sing rock songs *laughter* It’s absolutely incredible!

You guys performed both days this year at West End LIVE, how was that crowd?

 

Katie: Uh-mazing!

Rebekah: Electric!

Katie: Electric! As soon as we came out, the crowd was absolutely on our side and it was so fantastic because we were showing something new and everyone was really supportive. It seemed it all went down really well which was really exciting. I mean, just going out there for our first ever performance of any of our work was in front of thousands of people!

And then the interview was cut short as a knight and jester approached! More on that aspect will be revealed in our upcoming video!

Gramercy m’ladies for taking the time to speak with Ginger in the Theatre and all the best for press night! See you there!

More information about the show and tickets can be found at http://knightsoftherose.co.uk

Farewell, peasants!

It’s Only Life – REVIEW

It’s Only Life

Union theatre, London 

 

Seen June 16th, 2018

Reviewed by Jade Prince 

★★★★

It was a rather cute show and contains some great reminders for people wanting to live a fulfilling life. Although, putting these into practice isn’t always the easiest. ‘It’s Only Life’ covers every human need spanning the whole spectrum whilst delivering the message wisely.

The music is solely John Bucchino’s who, over the year, has wrote songs which have been  performed my theatre legends such as Audra McDonald, Liza Minnelli and Patti LuPone to name a few. He isn’t well know in the UK. In all honestly, I had never heard of him. I do have to say though, I love his writing style. All of his songs in this show are very heart warming and honest. He manages to capture true life in its rawest nature.

I can’t say I saw much of a story during this show (the story I did see was left till the end) which did detract from the enjoyment initially. I was very worried I was missing the point so I started really listening to the lyrics. And that is when the enjoyment came back.

You could not ask for a more talented bunch of performers! Including the MD, Nick Barstow. I do love seeing a show and every person on stage is at the same level. No weak link in this cast! The songs were just so well suited to their voices and each of them got to demonstrate their range at various points during the show.

This was a very basic production with no microphones and just one pianist. It was such a beautiful touch only having a piano accompanying the performance. It worked so well with the lyrics being sing. Where the venue was of an intimate size there was no need for the microphones but I do wish that certain cast members had a microphone. At certain points I was really struggling to hear and I was sat front row.

The set was so cute! The use of different levels was perfect! It was very minimalistic, colour-wise. All white washed with the odd burst of colour here and there. All pastel colours and I am a sucker of pastels! I really enjoyed looking around and seeing all of the everyday items (the majority painted white) hung on the walls in the various rooms of the house. I did spy a pastel blue Buzz Lightyear!

‘It’s Only Life’ is currently playing at the Union Theatre until July 7th. If you are looking for a cute, heartwarming, enjoyable show, this is the one!

Tickets and information can be found at: http://www.uniontheatre.biz/its-only-life.html

West End Bake Off 2018

May 19th, 2018

This year I was delighted when I found out I was in London the weekend of West End Bake off. But to make it even better…I was free between 11am-1pm!!! Winning!

You all know I went.

West End Bake off has been a successful charity event which is held each year in the cosy grounds of The Actor’s Church in Covent Garden. Each year it helps to raise money for the outstanding charity ‘Acting For Others’. This year alone, £9,500 was raised in those short hours. Isn’t that mad?!

I have to say I thoroughly enjoyed myself. The sun came out in all its glory to support the event. There was a real buzz as you entered with everyone eager to see the stagey creations. Roughly 20 west end shows turned up to displayed their baking skills and support. So much talent!

To say everything was rammed in there was an understatement. It won’t be long until they will need a bigger venue, it’s that popular!

Not only are there loads of cakes on sale for £1 but they also have a poster stand. Some are signed by the current west end cast which have a higher price tag. Others are slightly older. I noticed a single Kinky Boots poster signed by the one and only Cyndi Lauper. They range in prices but lets face it, us theatre lovers don’t care and we know the money is going to a fabulous cause. I made a bee-line for that and managed (by some miracle) to land my hands on the very last signed Hamilton poster. I died!

Some of the shows also sell merchandise on their cake stands which is another wonderful element. Hamilton did great by holding several auctions for signed t-shirts. From what I was hearing, each one went for about £60! In between all of these auctions I just HAD to make a donation and have a photo with the cast whilst showing of my beautiful poster! I’m trash! But, hey! It started a trend and they started taking photos with people for a small donation. All for the cause!

It wouldn’t be a bake off without having the cakes judged by some guest judges. Previous winners include 42nd Street, The Secret Garden and The Mousetrap. This year, the trio of judges were made up of Ruthie Henshall, Christopher Biggins and Wendi Peters. They had so many cakes to judge. After a difficult decision they crowned ‘Young Frankenstein’ the winner of 2018. They are now the proud owners of ‘Cuppy’! It’s such a cute trophy!

Trophy photo credit: West End Bake Off 

It was such a great start to the weekend and I cannot wait until the next one!

Head over to West End Bake Off’s website and twitter for the latest information on this one of a kind event.

See you next year!

Sarah Kendall: One-Seventeen (UK tour) – REVIEW

Sarah Kendall – One-Seventeen 

Soho theatre, London 

 

Seen May 16th, 2018

Reviewed by Jade Prince 

★★★★

Sarah Kendall spent a few nights of her UK tour down in the basement of Soho theatre, the perfect venue for a comedy act. The tour, one-seventeen, takes you on a turbulent retelling of Sarah’s life from the early years up to the present day. It tackles everything; the brilliant highs, some painful lows and everything called life in between. Luck, being a key theme, is able to connect everything at various points during the show. 

I have to say this wasn’t the best comedy act I have seen but it most certainly wasn’t the worst. It was a nice, acceptable middle level. 

I warmed to her straight away when she called the audience c*nts in under a minute of being on stage. It definitely got the laughs! A real ice breaker. I did appreciate how the word flowed so freely from her mouth. One thing I cannot stand is when comedians scripts that word in as an attempt to get more laughs and it does normally fails miserably. For Sarah, it just slipped out as if she was having a conversation with some friends. 

I have to hand it to her for the originality in her jokes. It was real life. Not necessarily real life that everyone could relate to. A few of these stories kind of left me feeling slightly awkward. Not that they were inappropriate just not relatable. I started getting that vibe from other audience members too. It was a rollercoaster of a show. Some highs which were so funny but then there were other parts where I didn’t know whether to laugh or not. It just seemed weird having such serious matters in a comedy show especially presented in that way. The subject matters were obviously life stories, I just felt they went on a little too long and started to bring a bit of a downer on the show. This feeling, however, was immediately removed when Sarah whipped out the next joke! 

Something I like about a good comedy show is when the comedian is able to link all the stories together and Sarah certainly did this. I loved the referencing of previous things she spoke about and doubling up the jokes. 

Despite the rollercoaster of funny to serious, it had such a great pace. There was never a point where I was urging it to end. Sarah is definitely a great story teller and had the audience in the palm of her hand. Something in comedians which is few and far between specially with the serious matters. 

There was another point which made me feel a bit ‘meh’ and that was the ending of the show. It had a rather abrupt ending which left you wanting more. I think it would have been great to see Sarah leave the stage on a real high with the audience roaring with laughter like they did during so much of the show. 

Overall, it was a very enjoyable show. One I would recommend. I’d be interested in seeing her again when she comes to my home town later in the tour.

Sarah is currently touring the UK with One-Seventeen. Click here for more information on her upcoming dates and tickets. 

Also be sure to follow Sarah on twitter for the latest updates in her travels.