Chit-Chat and Tea with Jaymi Hensley

Jaymi Hensley is currently starring at Joseph in the UK tour of Joseph and the Amazing Technicolor Dreamcoat.
Here he chats about the role of Joseph.

Jaymi Hensley is currently starring at Joseph in the UK tour of Joseph and the Amazing Technicolor Dreamcoat. The tour has numerous stops around the UK from now until February 2020 so you have plenty of time to catch him in action!

For our readers near the Bath, Bristol and Oxford area, Joseph and the Amazing Technicolor Dreamcoat will be playing at New Theatre, Oxford from Tuesday 16th July to Saturday 20th July 2019.

Below, Jaymi chats about the role of Joseph.

What is Joseph and the Amazing Technicolor Dreamcoat about?

It’s based on a biblical story about Joseph the dreamer. He has 11 brothers, but he’s his father’s favourite and his Dad gives him a coloured dreamcoat as a gift. His brothers get very jealous and hatch a plan to kill him, but instead he gets taken to Egypt as a slave and is sent to prison. Fate is on Joseph’s side however and despite trying times, he eventually becomes the prince of Egypt.

Joseph has got something special. It has all these markers that made me think of my life. I had people, not brothers, but contemporaries at school, who told me I couldn’t be what I wanted to be. I’m a dreamer; I wanted to be a star. I also had something that made me different; being a gay man and finding out at a young age.

I always had my head in the clouds, but I was always sure of who I was and I never let what anyone said deter me. That’s how I approached Joseph, with the message that as long as you stand by who you are, eventually the rest of the world will see how wonderful you are too.

Is that what drew you to the role?

It just felt right. Theatre was always my first love. I always envisioned myself on stage every day. But life took a different turn.

I believe in the universe giving you signs and the tools you need to make things happen. I did panto with Jimmy Osmond, who’s done Joseph, and then I met Joe McElderry, who’d also played Joseph. All these signs were there. It was so bizarre. It just felt like I need to do this. And I’ve never felt like I’m more in the right place at the right time than I do right now.

Joseph and the Amazing Technicolor Dreamcoat is 50 years old this year. How do you think this show has stood the test of time?

Andrew Lloyd Webber and Tim Rice are the best. They wrote this musical at university! The songs are timeless. I think that is the one word to use. You have songs here that, in 2019, don’t have to be modernised. We’re not changing anything at all. That’s testament to how well written they are. I know how dated the music I released in the last seven years is already, just listening to the charts!

How did it feel to put on theatre’s most famous coat for the first time on stage?

At my opening night in Windsor, that moment was when I got an out-of-body, hairs on the back of your neck moment. I had goosebumps everywhere and was rushing with emotion. This is just such an amazing show to be a part of. I’m honoured that they’re letting me take the torch.

What’s most exciting about touring the show?

What I love about a touring show is people are so grateful that you’re coming to see them, that you’re doing the leg work. People really appreciate that.

I’m really looking forward to going to places I’ve never been before and finding new audiences. I love being on the road. Although I’ve been a pop star for the last seven years, being on stage is the thing I’ve done the least. It was all about being on TV or in a studio. The stage is what I love. I love being live in front of an audience, so to do it 10 times a week, I couldn’t be happier.

What is it that makes live performance so special?

It’s the seeing sweat on someone’s face, the passion and the being in the room with them. You can’t beat that. Especially singing, you can’t beat live music and hearing that passion come from someone’s voice. As a performer, you have to impress there and then; there’s no rerun, it’s now or never. That added pressure is what makes theatre so amazing.

At the start of 2019, you announced Union J were splitting for now. How do you look back on your time with that band?

I have the fondest memories of that project, even when things were tough for us. You need to have those moments to give you a sense of how much it means to you. I’ll be forever grateful to that band for giving me what it’s given me and the joy we’ve had over the years. In my adult life I’ve only done what I love. Very few people can say that. I would never take that for granted.

People might think it a little self-indulgent, but I watch back our YouTube videos and listen to our music. I’m very proud of what we achieved as, initially, three young kids who set out to do something and made it happen. We were all so determined.

One day, hopefully, we can get back together and do a reunion and be together at a different time in life when it’s right again. As much as we were a band, we are individual people and we have individual passions, hopes and aspirations. In every good relationship you have to let the other person flourish.

What can audiences expect from a trip to see Joseph?

It’s a real feel good musical. The music’s fun, it’s bright and colourful, and we have the most amazing, talented cast. The world at the moment is so depressing; I think everybody should come for a couple of hours of detachment from reality, and have a fun, uplifting time.

More information on the show, upcoming venues, dates and tickets can be found here.

 

Syndicated Interview

Amélie (UK tour) – REVIEW

Amélie (UK tour) – REVIEW

New Theatre, Oxford

★★★★★

Amélie

New Theatre, Oxford

 

Reviewed by Jade Prince

Seen June 18th, 2019

★★★★★

Amélie, a musical derived from the much loved 2001 film of the same title, presents the story of a young lady who although appears quiet , has an imagination louder than words. Spending her life providing fellow Parisians with happiness through her small acts of kindness, she soon discovers it is time to work on herself and allow her heart to speak when love comes knocking.

The Parisian vibe immediately seeped into my blood, warmed my heart and I fell in love. It provided a sensation I have never experienced…maybe it was the feeling of actually falling in love! My heart skipped a beat numerous times

This show was the full package; whimsical, charming, humorous whilst being filled to the brim with talent and phenomenal stage craft.

I’m not sure where to begin! The set is gorgeous. You see it and immediately you are transported to the hustle and bustle of Paris. This feeling is only amplified when the cast take to the stage.

Although seeming very chaotic to look at with all the additional nick-nacks, the set itself was a simplistic beauty. There were no huge scene changes. Just the movement of some props and dimming of the light. It really didn’t need anything else. It lent itself to provide almost a musical box feel. Seeing the story play out in front of you as if the mechanism was being cranked in the wings. Even the way Amélie was transported around the stage was whimsical!

The tiny Parisian cafe scenes pulled you by the hand down a little alley way into the heart of one of Paris’ up and coming districts. The vivid hum of the busy people outside was only added to with the cast. It was such a stunning choice to have the cast playing their own instruments throughout the show. I obviously had my eyes focused on the stage but I could imagine closing my eyes and being there in the heart of Paris. Buskers surrounding me, playing the beautiful symphony of Paris’ heart beat.

The whole cast were insanely talented (and to me, nailed the French accent) but I do have to draw focus to Audrey Brisson and her breathtaking performance as Amélie. It was such an endearing performance. She played it to the back of the stalls with her facial expressions. Also, such a dreamy voice!

My final fangirl moment for the show was the puppetry. It was seen more in act 1 and it was used for an element I didn’t expect at all. The show is still fairly new in the grand scheme of things. It premiered at Berkeley Repertory Theatre in September 2015. At that stage, and even on broadway, young Amélie was played by a little girl. Since then, it has been switch up slightly in order to replace the child actor with a puppet. It is such a beautiful touch. Another one which works so well for the show! Adding heaps to the storytelling charm and allowing the audience to differentiate between the past and the present.

All in all, Amélie is an outstanding piece of theatre which checks so many boxes. The creative team are doing everything right. On top of all of this mentioned, there is a stunning musical score.

I urge you to see this show as it tours around the UK. You will not be disappointed!

For more information on the show, upcoming venues and tickets, click here.