SeatPlan

If you are part of the theatre community I am pretty certain that you will have come across ‘SeatPlan’ at some point. If you haven’t, you will soon enough. This will change your whole seat buying experience. 

If you are a regular reader you will remember that I mentioned this site during my ‘getting the better seats without breaking the bank’ post. 

“A website I use before I make any ticket transactions is SeatPlan. This is a fabulous website especially if you are not familiar with the theatre or seating plan. SeatPlan offers an interactive seat map for the majority of the big theatres in the west end and a handful nationwide. They rely on their members to upload seat reviews and many of them include photos of the view of the stage from that particular seat. These are completely honest reviews which are monitored. So far it has never failed me. They also provide an incentive for their members to review seats with credit which can add up to theatre tokens. Another great way to save money! Currently, you will receive 40p for each photo you upload once your review has been approved. You can start doing this now if you haven’t already! Just head to their website and sign up for free. They also offer great ticket deals through their website so that is also worth checking out.”   A extract from said post but it sums the website up nicely.

SeatPlan was created in 2011 and has grown so much. A little birdy tells me they are looking to develop the site further so I thought I would make my opinions known! Ha! 

I have been an active member on this site since the summer of 2015 (if I remember correctly. It’s been a fair few years for sure) and I have to say this is my go to website when I am buying tickets regardless of which site I use to purchase them. It is and always has been so easy to navigate. It is such a clean set up which allows you to do everything you need straight away. My only nag about the navigation of the page is that I do struggle bringing the list of London theatres up. There has been a few occasions where I’ve wanted a trusted list of the main London theatres so I have turned to SeatPlan. I know the list is on there but it would be nice having it at the top of the page instead of having to scroll down to the bottom. What would be even better is having a side menu where you could select just that. Typing this, it has just come to mind how useful a map of ‘theatre land’ would be! You literally could find everything on one site. I know that when I book shows I like to fit as much in as possible and seeing how close the theatres are is key. It is such a hassle switching from websites to google maps. I have a fairly good knowledge of ‘theatre land’ but still need help on occasion. 

When I found out a while back you could purchase tickets for shows in London via SeatPlan I had to have a little peek. I was actually really impressed. This isn’t a feature that I have used loads but when I have they have always had great seats at great prices. I can’t say that it is the same for every show but they haven’t disappointed yet. I really need to make a habit of checking there first before booking anything. I have a feeling I could save lots of money. 

To upload reviews you do have to create a profile which I, personally, really love. It is such a great way to keep track of the shows I have seen and various theatre trips. The timeline at the bottom of your profile is a great touch. It saves me having to dig out my hefty ticket scrapbooks to see if I have been to that venue before, actually sat in the same seat or in a similar area, etc. You can just scroll through the timeline, click on the relevant show tab and it will show you the date you saw the show, where you sat and the review you left on the site. Obviously you are restricted as you can only add reviews to the theatres they have listed on the website. There have been times where I have been looking for certain seat plans but they didn’t cover it. I think it would be nice to have a section dedicated to seat plan for theatre all over London. There are a lot I have come across that aren’t on there. Not so much for members to write reviews (and gain credits) but to get an accurate seat plan. A lot of the seat plans online are not accurate. This would be a nice touch, completely separate to the main aspect of the site where you add reviews. Maybe just keep the reviews to the main theatres currently listed on the site? 

The profile aspect could really be used to gain a community feel on the site. At the moment you can see a percentage of the user profiles on the leaderboards but apart from that you can’t really do anything else. This is the same with the monthly competitions held. We never hear much about the winner unless you actively search for it via the tab at the bottom of the site page. Members all receive the emails reminding them of the competitions (actually mine are on occasion, not every month) but that is all we really hear. 

Rewarding reviewers is a great incentive. I loved earning rewards that add up to theatre tokens that arrive in the post. I’m not gonna lie, these tokens helped to fund my Dreamgirls addiction! It has been sad watching the individual credit amount decrease over the years. When I first started it was £1 per photo from your seat and then it went to 50p per photo (ticket and seat) but now it is 40p per photo. I understand it is a business and needs to make money but it just takes forever now to gain those theatre tokens. The hand written notes that come with the theatre tokens are really cute. You’ve got to love Susannah for doing that. That is one thing I admire. Even though there are thousands upon thousands of members they still keep that personal touch. 

I do wish that it was compulsory to add photos to the reviews. There is nothing worse than seeing someone has reviewed a seat (especially in a part of a theatre which is less reviewed) to find that it is really vague with no photo. You then have to take a stab in the dark and hope for the best when booking seats. 

I have often asked myself the question – why don’t the have guest bloggers or takeovers on their social media. I most certainly would love to read a guest post, say once a month and get an awesome insight into the theatre world. This could be another aspect which could completely explode and be great for SeatPlan! 

Just to be really picky I shall comment on the overall appearance of the site – it does look rather bland. As I have already mentioned the navigation is easy but Seatplan almost loses its identity as you scroll down the page. 

The next step for SeatPlan is definitely an app.  I believe it would open so many doors. I personally would then add reviews as soon as I have them instead of waiting to upload several at once. This could also really help them which the selling of theatre tickets. I’m all about having that immediate access on my phone. My bank account isn’t, but I am! 

I’m opinionated so there are some of my thoughts. It has been great watching the site develop and grow over the years and I really look forward to seeing where it goes in the near future. And on that note, I need to add all the seat reviews I have been allowing to accumulate. BYE!! 

Theatre Maker Launch at the Cockpit Theatre

Sunday 18th February, 2018

For those not familiar with the Cockpit theatre, it is a fabulous little venue in Marylebone. It is a chameleon of a building. Used for rehearsal spaces, a main theatre auditorium with 420 seats and a bar where they host a number of different events. Whether that is presenting shows, hosting events, training days, industry events, the Cockpit is an incredibly welcoming space which cherishes new creators and their works.

They have been working on a brand new hub focusing on those making theatre. This hub will consist of classes, courses, workshops, talks and drop in session in order to aid people with new skills and to share and develop their own ideas. Various workshops will take place as well as the weekly drop in session scheduled for every Wednesday at 6pm in the bar.

In this blog I shall be giving a run down of the launch day, what went well, what I didn’t like so much and then I shall be delving into what is on offer and what taster sessions I took part in. These will be in more detail explaining exactly what we did and what you can expect to see followed by MORE information of the available course along with prices, date and time frames.

From the moment I stepped foot into the theatre I was greeted with a fabulous friendly welcome which you can always expect from the Cockpit staff. You’re always made to feel welcome there and I truly believe that this would be the best place in London to take evening classes/courses/share ideas with other creatives.

When we arrived we were given the agenda detailing everything that would be happening over the next 4/5 hours. There was also the breakdown of the taster sessions happening through the day with 3 lots of 40 minute session with 10 minute breaks.

The agenda for the morning:

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(I’ve circled the taster session I attended)

The numbers were very disappointing considering how any people had booked on. All of those people who were no shows really missed out on some great sessions.

The first session of the day was ‘From Theatre Maker to Film Maker’ led by Steve North. This was great and provided a brand new experience. Steve has had a very colourful career initially starting off in acting and has now moved into theatre making. His most recent achievement was co-writing the short film ‘Through the K-Hole’ and directed the hard winning ‘Cregan’.

His actual course is a lot longer however we had a great insight. He stripped it right back and we started looking at our own memories and how they are personal. We did a simple exercise of writing down three different memories: one from last year, one from last week and one personal memory from any point in our lives. We then paired up and had to tell the other person our memory. It was then open for them to retell that memory to us and then in the group when we all came together, stood in the dark. It was a very strange experience because these memories that had once been our own where now someone else’s. It was such a strange feeling listen to your own memory from a different person. I found myself sympathising and nodding my head as if I was sympathising with the person even though it was what I had dealt with. We did this a few time but it was a great way to see how we connect to personal stories and the benefit of focusing on a personal experience when starting to write the concept and script for a short film.

The second taster session of the day was with Sarah Fraser and focused on making theatre from scratch. Obviously this is a very broad topic and her course will delve in deeper to the whole process but it was great what we did in the session.

A little background on Sarah – she has helped create the theatre company ‘Hoax’. In 2012 she graduated from the Central School of Speech and Drama with her MA in Classical Acting. From there she has worked in immersive theatre and has had a real focus on physical theatre, using voice on the body to create brand new work.

It was basically a whole game session to break the ice and make everyone feel comfortable around each other which is obviously key when working in a team which need to be very close and on the same wave-length. The improvisation game was fabulous. We were simply handed a scarf and told to run wild with one rule: the scarf could not at any point be used as a scarf. It was great to see people improvising and for others in the group to so willingly join in with ideas. Everyone was on board 110%. Sarah’s energy and passion was infectious and I strongly believe that people on this course will benefit immensely.

The third and final taster session I took part in wasn’t what I thought it was going to be. If you have read my previous blogs and review you will have noticed that I like to go into things ‘blind’. Without knowing the story/previous reviews/or reading much on the theatre website so I did not read into each of the different taster sessions. I simply turned up on the day and selected whatever sounded interesting to me. This was the ‘making theatre using visual and physical techniques’ session led by Miriam King.

For some reason I was expecting it to be very heavily focused on props and scenery and other ways of presenting the story on stage. I was very wrong. Miriam specialises in physical movement and how that tells the story. The exercise we did was very beneficial in understanding how to ground ourselves and move into a neutral state. This would be perfect for actors when transforming into drastically different characters from their normal selves however I did struggle to connect and enjoy it. I know that sounds really harsh but it just wasn’t something I enjoy. Miriam is very experienced and really puts the whole of herself into her teachings.

Before I knew it the taster sessions where over and it was time to watch the performance of ‘The Silent Stream’ which was written and performed by Jonathan Brown.

This was definitely not my type of theatre. I started drifting into my theatre reviewer state (not that I was there to review the performance). We saw this performance as Jonathan Brown runs the ‘Making theatre as a solo performer’ course which will be running as part of Theatre Maker. Having read up on the one man show since I have seen it, I do believe that there is greatness behind it. Especially as its has sequels entitled “Betsy: Wisdom of a Brighton Whore” (a one woman show) and “The Well” (ensemble piece). I would be intrigued to see these pieces now. I found the performance of ‘The Silent Stream’ to be very slow. It seemed to be a little all over the place and was very hard to follow. I personally feel that it would work better as an ensemble piece. This might help it flow better especially when two or more characters are presented at once on stage. What I saw definitely had potential though.

Anyway, this isn’t a review on that show, its a write up on the whole ‘Theatre Maker’ launch day experience! I really enjoyed it from the start. I have to admit ‘the Silent Stream’ was the only let down. It didn’t advertise the course in the best way and I think a lot of people were lacking enthusiasm by that point. From the taster sessions I have seen, I really do have high hopes for what the Cockpit have planned.

Below I shall include all the information you will need about the different courses, prices, time frames, and dates as well as links to the cockpit so you can keep up to date with all of their latest information and for the possibility to attend any future taster sessions.

The classes which will be offered area:

For more information on Theatre Maker at the Cockpit: http://thecockpit.org.uk/Theatremaker

Follow the Cockpit on twitter for all of the latest information: https://twitter.com/cockpittheatre

Thank you or reading this far! Here is a little reward – If you book onto a course before 6pm Monday 26th February, 2018 you can take full advantage of the one-off launch day code ‘INVOLVED18’ to get 15% off! You’re welcome!

Life is too short. Take the chance and make captivating theatre!

February theatre that has me excited!

February is almost here.

February is almost here. Anyone else taken a dislike to how fast January went by?!

But with a new month brings new shows to see and there are several that I am really looking forward to seeing in February!

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February holds John Thaw’s Initiative Season at the Actor’s Centre where many writers showcase their new work. One I am looking forward to and already have tickets for is ‘Jam Jars’. The talented Lily Frazer has written this one. It sounds so good! We will get to see the first act in its early production stage and then will have the opportunity to then provide feedback through a Q&A with Lily herself or via feedback cards. I love seeing new work and have high hopes for this one (No pressure, Lily! Ha!) It’ll be great to see this one develop from such a raw state. Information about ‘Jam Jars’ can be found here at https://www.tristanbatestheatre.co.uk/whats-on/jam-jars

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This next one I will be mentioning has already begun previews and I technically won’t be seeing it in February but my review will be posted that month! (I’m seeing it January 31st) Eugenius will be at The Other Palace throughout next month and is one that I have been dying to see. I missed its run at London Palladium last year so had to jump on the opportunity this time round. I have only heard great things about this show! Even more so now the previews have started at The Other Palace and I keep seeing friends posting about it. Beyond excited to see it on Wednesday! Ticket and show information: https://www.theotherpalace.co.uk/whats-on/eugenius

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The Vaults Festival is also taking place over February where over 300 new shows will be showcased. I love this idea and how they are providing an opportunity for new work to be seen in a completely welcoming way. Such a variety including theatre, comedy and film. There are so many that I have my eye on. Vaults Festival will be taking place from January 24th until March 18th. All information regarding shows, dates, location and tickets can be found at https://vaultfestival.com

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From February 20th to February 24th you can catch ‘Beats on Pointe’ at The Peacock, London. This sounds epic! All the way from Australia, Masters of Choreography will be bringing their talents to the stage in the heart of London. Have you ever thought ballet and street dance could never be mixed? Two polar opposite dance styles? Wrong! They are about to demonstrate that these go hand-in-hand to provide a whole new dance experience. This is a show that I will be jumping at! Tickets available at http://peacocktheatre.com/whats-on/beats-on-pointe-masters-of-choreography/

So, those are some of the things I am excited for. What shows are you looking forward to? Let me know down below and don’t forget to give those I’ve mentioned some love! Check them out and get those tickets!

Time to see Glengarry Glen Ross

Time to see Glengarry Glen Ross

We are now approaching the final week of Glengarry Glen Ross showing at the Playhouse Theatre and if you haven’t seen this one, I would highly recommend it.

This isn’t a review of the show as I think that my opinion may be slightly bias with the number of times I have seen it.

For those of you not familiar with the show here is a little bit about it: The real estate industry can be brutal. In a tiny office in Chicago four salesmen are becoming increasingly desperate to secure leads and earn their commission. So desperate in fact they would do anything to make it happen. Everyone has the same goal: close the deal.

This is a fast pace show which takes drastic turns. I love listening to the audience’s reactions.

Considering I watch it practically every night I still laugh at the witty script. It is so quick. If I am completely honest the script won’t be for everyone. There is strong language throughout and some use of the ‘C’ word. This aside the cast are fabulous and keep it fresh and engaging. I absolutely love the chemistry on stage. Especially the way in which Stanley Townsend (Shelly Levene) and Christian Slater (Ricky Roma) bounce off of each other during act 2.

This is definitely one to see before the show closes on February 3rd. Tickets and information about the show can be found here: http://www.atgtickets.com/shows/glengarry-glen-ross/playhouse-theatre/#showinfotabs=showtimes

Be sure to grab your tickets fast as this show is selling like hot cakes in it’s final week!

Getting the better seats without breaking the bank

I’ve dared to reveal my deepest theatre ticket secrets!

The west end can be a wonderful and memorable night out however it can all add up becoming very expensive. A large amount of this cost will be the theatre tickets themselves. Many people do spend a lot of money on theatre seats and obviously that is how the west end thrives and continues. It is a business! However I believe everyone should be able to enjoy the theatre so this particular blog post will aim to arm you with the correct websites, apps and information for when you need to save the pennies but still want to see the arts.

I’m about to reveal my deepest secrets so pay attention!

Over my years of going to the theatre on a student budget I have become an awful lot savvier and very rarely spend over £40 on one seat unless it is something incredibly special. One of my main go-to apps is TodayTix. They do brilliant deals and never sell restricted seats. They have a fabulous selection of seats pretty much all of the time to suit every budget. Another great thing they do is daily lotteries for a few select shows and ‘rush’ tickets which range from £15-£25 in price.

Let’s start with the lotteries. Every day the lotteries are live from midnight. Currently the shows include Dreamgirls, Everybody’s Talking About Jamie, Young Frankenstein and Kinky Boots. Matinee lotteries close around 10:30am and lotteries for the evening shows close at 3:30pm. You enter for that day’s show and are notified 2 to 4 hours before the performance. This option is only great if you live in London or within an hour on the train but it is still a good way to get nice, affordable seats, normally front row!

The ‘rush’ tickets are a little different but still provide great seats at affordable prices. This ticket option gives you more notice as they become available to buy through the app at certain times of the day (typically 10am or 10:30am, depending on the show). It is a first come first serve system and seats vary depending on what is available on the day. There is a large variety of shows though which currently include: Mary Stuart, Girl From The North Country, The Birthday Party, 42nd Street, The Ferryman, Royal Shakespeare Company, Motown and The Woman in White.

Another great one in my arsenal of ticket sites is ATG. A bog standard site which is very helpful! The seat plans are fairly accurate and occasionally you find the odd last minute seat reduced in price. Also they have their theatre cards where payment for a years membership means that you get ticket discounts, early sales and much more. There are two types of theatre cards which both look great depending on your budget.

Day seats are also another great last minute option. They do take a fair bit of planning if you are determined to see a show that day! Only certain shows offer day seats and again this is down to availability. Some shows have a designated number which they have available everyday whereas other shows vary theirs depending on how well that show has sold for that day. From my experience, I recommend getting to the box office around 8:30am on a normal show day. If it is a special performance such as a cast change the hard core fans will get there super early, some will even camp out over night to get their hand on a ticket! Day seats are never guaranteed. There have been many a time where the person in front of me has got the last one and I’ve had to go back to the drawing board. A lot of these options mentioned in this blog are great for last minute deals so they always become by back-up plan if day seating isn’t a success. To see whether a certain show offers day seats just head to their official website and it will provide all of the details you need.

A website I use before I make any ticket transactions is SeatPlan. This is a fabulous website especially if you are not familiar with the theatre or seating plan. SeatPlan offers an interactive seat map for the majority of the big theatres in the west end and a handful nationwide. They rely on their members to upload seat reviews and many of them include photos of the view of the stage from that particular seat. These are completely honest reviews which are monitored. So far it has never failed me. They also provide an incentive for their members to review seats with credit which can add up to theatre tokens. Another great way to save money! Currently, you will receive 40p for each photo you upload once your review has been approved. You can start doing this now if you haven’t already! Just head to their website and sign up for free. They also offer great ticket deals through their website so that is also worth checking out.

The website Get Into London Theatre only comes around once a year and is always a good one to know about. I have to be completely honest and say their 2018 selection of shows wasn’t too great this year and I only purchased tickets for one show when normally I go crazy! Each December the website goes live with deals for a range of different shows with tickets for £10, £20, £30 and £40 (great for all budgets) The location of the seats are also normally really good and it tells you just how much you saved. Normally the £69 tickets are the ones reduced to £40, £49-£39 reduced to £30 and so on. Previous years I have been able to get ticket to big shows such as Phantom of the Opera in row D in the stalls for £40. Like I said before, this year wasn’t great but hopefully come December the 2019 selection will be a lot better.

That is about it when it comes to the best sites to use when looking for theatre tickets. I always recommend you stick to the main websites such at ATG, Love Theatre and  TodayTix as you won’t have to pay any commissions fees. Many of the other tickets sites sell legit tickets that comply with the ‘STAR’ standards however they do add an additional fee for using their service. Just be aware of that. Always look around on different websites as the prices will change dependant on the website.

I really hope this has helped you gain a further understanding on how to still see theatre on a limited budget. All of this works for me which is why I was able to see over 70 shows in 2017!

Disclaimer – things mentioned in this blog aren’t always guaranteed and are subject to change at the various company’s discretion. As of the time this blog was published, 16th January 2018, all show information was correct.