It’s been a week since the Olivier Award nominees were announced and I am very behind on the whole theatre scene due to health issues however I am now on the mend and have decided to do a little write-up on the nominations. This is probably the very first year that I have agreed with the selection. Other years I have completely disagreed. While I still believe the range of shows and talent acknowledged is limited, this year seems to have taken the talent factor into account as a pose to the popularity factor. SOLT, you are improving!
— Those in bold are the ones I want to win. Those bold AND underlined are my predictions for the actual winner of the category. If there is only one in bold and underlined it is because that is what I want to win and also predict to win. I won’t be making comments on all of the predictions I make. Also, final note, I shall be linking some of my reviews through out this post so be sure to check them out! —
Lets crack on!
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Best New Musical
An American in Paris, Dominion Theatre
Everybody’s Talking About Jamie, Apollo Theatre
Girl From the north Country, The Old Vic and Noel Coward Theatre
Hamilton, Victoria Palace Theatre
Young Frankenstein, Garrick Theatre
I really want Hamilton to win but then again I am a Hamilton whore so that’s that! The only one that I really can’t see winning is Young Frankenstein. I really didn’t like that show. Not my humour at all and An American in Paris was very mediocre. I can see Everybody’s Talking About Jamie smashing it simply because it is 100% relevant at the moment. That’s not me saying that something shouldn’t win because it’s not relevant. If it’s making an impact on society, it’s great!
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Best New Play
The Ferryman, Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre
Ink, Almeida Theatre and Duke of York’s Theatre
Network, National Theatre – Lyttelton
Oslo, Harold Pinter Theatre
This category is difficult to predict. The small handful of shows that I never got around to see! Ha! And they all seemed to be received very well.
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Best Director
Dominic Cooke, FOLLIES, National Theatre – Olivier
Marianne Elliott, ANGEL IN AMERICA, National Theatre – Lyttelton
Rupert Goold, INK, Almeida Theatre and Duke of York’s Theatre
Thomas Kail, HAMILTON, Victoria Palace Theatre
Sam Mendes, THE FERRYMAN, Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre
HAM-IL-TON!!!! You’re going to start seeing a pattern here! It was just stunning!
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Best Actress
Laura Donnelly, THE FERRYMAN, Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre
Lesley Manville, LONG DAY’S JOURNEY INTO NIGHT, Wyndham’s Theatre
Audra McDonald, LADY DAY AT EMERSON’S BAR & GRILL, Wyndham’s Theatre
Imelda Staunton, WHO’S AFRAID OF VIRGINIA WOOLF?, Harold Pinter Theatre
How can you put two queens together?! I didn’t have the chance to see Laura or Lesley but both Audra and Imelda were outstanding! Two very different performances but both still touched me and left an impact.
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Best Actor
Paddy Considine, THE FERRYMAN, Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre
Bryan Cranston, NETWORK, National Theatre – Lyttelton
Andrew Garfield, ANGELS IN AMERICA, National Theatre – Lyttelton
Andrew Scott, HAMLET, Almeida Theatre
Once again, this is another category I can’t really comment on so I’ve made my prediction based on what I’ve heard.
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Outstanding Achievement in Opera
Paul Brown for his set and costume designs for IOLANTHE, London Coliseum
Joyce Didonato and Daniela Barcellona for their performance in SEMIRAMIDE, Royal Opera House
Roderick Williams for his performance in the Royal Opera’s THE RETURN OF ULYSSES, The Roundhouse
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Best New Opera
La Boheme, Trafalgar Studios 2
The Exterminating Angel, Royal Opera House
Semiramide, Royal Opera House
I got to see La Boheme and I was blown away! I’ve linked my review just incase you have the urge to read it but it was such a beautiful modernised version of such a well-known classic.
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Best Actress in a Supporting Role
Brid Brennan, THE FERRYMAN, Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre
Denise Gough, ANGLES IN AMERICA, National Theatre – Lyttelton
Deaebhla Molloy, THE FERRYMAN, Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre
Imogen Poots, WHO’S AFRAID OF VIRGINIA WOOLF?, Harold Pinter Theatre
I have a feeling ‘Angels in America’ is going to dominate the play categories.
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Best Actor in a Supporting Role
Bertie Carvel, INK, Almeida Theatre and Duke of York’s Theatre
John Hodgkinson, THE FERRYMAN, Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre
James McArdle, ANGLES IN AMERICA, National Theatre – Lyttelton
Peter Polycarpou, OSLO, Harold Pinter Theatre
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Best Set Design
Bunny Christie, INK, Almeida Theatre and Duke of York’s Theatre
Bob Crowley and 59 Productions, AN AMERICAN IN PARIS, Dominion Theatre
Rob Howell, THE FERRYMAN, Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre
Vicki Mortimer, FOLLIES, National Theatre – Olivier
The set of Follies was stunning. Definitely the type of set design that I love!
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Best Costume Design
Hugh Darrant, DICK WHITTINGTON, London Palladium
Roger Kirk, 42ND STREET, Theatre Royal Drury Lane
Vicki Mortier, FOLLIES, National Theatre – Olivier
Paul Tazewell, HAMILTON, Victoria Palace Theatre
These fours shows were great with there own costumes but for me personally, there can only be one winner.
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Best Sound Design
Tom Gibbons, HAMELT, Almeida Theatre
Gareth Owen, BAT OUT OF HELL THE MUSICAL, London Coliseum
Eric Sleichim, NETWORK, National Theatre – Lyttelton
Nevin Steiner, HAMILTON, Victoria Palace Theatre
Another close call but as soon as you hear ‘dun, du-du-du-dun, dun, dun’ you have to hand over that award.
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Best Lighting Design
Howell Binkley, HAMILTON, Victoria Palace Theatre
Paule Constable, ANGLES IN AMERICA, National Theatre – Lyttelton
Paule Constable, FOLLIES, National Theatre – Olivier
Jan Versweyveld, NETWORK, National Theatre – Lyttelton
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Outstanding Achievement in Affiliated Theatre
The B*easts, Bush Theatre
Killology, Jerwood Theatre Upstairs at the Royal Court Theatre
The Red Lion, Trafalgar Studios 2
The Revlon Girl, Park Theatre
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Best New Comedy
Dry Powder, Hampstead Theatre
Labour of Love, Noel Coward Theatre
Mischief Movie Night, Arts Theatre
The Miser, Garrick Theatre
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Best Revival
Angels in America, National Theatre – Lyttelton
Hamlet, Almeida Theatre
Who’s Afraid of Virginia Woolf?, Harold Pinter Theatre
Witness For the Prosecution, London County Hall
I went to see ‘Who’s Afraid of Virginia Woolf?’ on a whim. I found a cheap seat and everyone was raving about it and was horrified to find out it was 3 hours long. At that point I didn’t like plays and had only seen a handful. But, woah! To say I enjoyed it was an understatement. Those three hours flew by. I was captivated.
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Best Actress in a Musical
Janie Dee, FOLLIES, National Theatre – Olivier
Shirley Henderson, GIRL FROM THE NORTH COUNTRY, The Old Vic and Noel Coward Theatre
Imelda Staunton, FOLLIES, National Theatre – Olivier
Josie Walker, EVERYBODY’S TALKING ABOUT JAMIE, Apollo Theatre
For me the winner has to be Shirley Henderson. Everything about her performance in ‘Girl from the North Country’ was flawless. Such a difficult role. All the ladies did very well in this category though.
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Best Actor in a Musical
Ciaran Hinds, GIRL FROM THE NORTH COUNTRY, The Old Vic and Noel Coward Theatre
John McCrea, EVERYBODY’S TALKING ABOUT JAMIE, Apollo Theatre
Giles Terera, HAMILTON, Victoria Palace Theatre
Jamael Westman, HAMILTON, Victoria Palace Theatre
I have a strong feeling John McCrea will win this one. I don’t necessarily agree with this if it happens. His performance wasn’t out of this world. Considering Jamael is new to the scene he has done so well! I was a little dubious seeing someone fresh out of drama school would be taking the lead in Hamilton but I was pleasantly surprised!
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Best Musical Revival
42nd Street, Theatre Royal Drury Lane
Follies, National Theatre – Olivier
On The Town, Regent’s Park Open Air Theatre
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Best Theatre Choreographer
Andy Blankenbuehler, HAMILTON, Victoria Palace Theatre
Bill Deamer, FOLLIES, National Theatre – Olivier
Kate Prince, EVERYBODY’S TALKING ABOUT JAMIE, Apollo Theatre
Randy Skinner, 42ND STREET, Theatre Royal Drury Lane
Christopher Wheeldon, AN AMERICAN IN PARIS, Dominion Theatre
Hamilton is gonna win this one! But the choreography in both ‘Everybody’s Talking About Jamie’ and ‘42nd Street’ was beautiful. Completely different styles which complimented the shows perfectly and evoked different emotions.
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Best Entertainment & Family
David Walliams’ Gangsta Granny, Garrick Theatre
Derren Brown: Underground, Playhouse Theatre
Dick Whittington, London Palladium
Five Guys Named Moe, Marble Arch Theatre
How did I miss/forget about this category?! Derren Brown is an outstanding show man! And, come on, it was at Playhouse. My baby! But I do think Gangsta Granny will win simply by popularity with entire families however I didn’t hear much about it when it was playing at Garrick Theatre. Maybe it will be the dark horse.
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Outstanding Achievement in Dance
Rocio Molina for pushing the boundary of flamenco in FALLEN FROM HEAVEN (CAIDA DEL CIELO) for Dance Umbrella, Barbican Theatre
Francesce Velicu for her performance in English National Ballet’s Production of Pina Bausch’s LE SACRE DU PRINTEMPS, Sadler’s Wells
Zenaida Yanowsky for her performance in Liam Scarlett’s SYMPHONIC DANCES for the Royal Ballet, Royal Opera House
I actually have no predictions for this partly because I am so unfamiliar with the pieces also I fell that dance is very subjective.
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Best New Dance Production
Flight Pattern, Crystal Pite for the Royal Ballet, Royal Opera House
Goat, Ben Duke for Rumbert Dance Company, Sadler’s Wells
Grand Finale, Hofesh Shechter, Salder’s Wells
Tree of Codes, Wayne McGregor and the Paris Opera Ballet, Sadler’s Wells
Once again, I actually have no predictions for this partly because I am so unfamiliar with the pieces also I fell that dance is very subjective.
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Outstanding Achievement in Music
Everybody’s Talking About Jamie, music and orchestrations by Dan Gillespie Sells, his debut as a musical theatre composer and orchestrator, Apollo Theatre
Follies, the orchestra, under the Music Supervision of Nicholas Skillbeck and Music Director Nigel Lilley, National Theatre – Olivier
Girl From the north Country, music & lyrics by Bob Dylan, original orchestrations & arrangements by Simon Hale, The Old Vic and Noel Coward Theatre
Hamilton, composer-lyricist Lin-Manuel Miranda, Victoria Palace Theatre
LIN. LIN. LIN. KING!
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Best Actress in a Supporting Role in a Musical
Shelia Atim, GIRL FROM THE NORTH COUNTRY, The Old Vic and Noel Coward Theatre
Tracie Bennett, FOLLIES, National Theatre – Olivier
Rachel John, HAMILTON, Victoria Palace Theatre
Lesley Josph, YOUNG FRANKENSTEIN, Garrick Theatre
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Best Actor in a Supporting Role in a Musical
Michael Jibson, HAMILTON, Victoria Palace Theatre
Ross Noble, YOUNG FRANKENSTEIN, Garrick Theatre
Jason Pennycooke, HAMILTON, Victoria Palace Theatre
Cleve September, HAMILTON, Victoria Palace Theatre
Not even a second thought, Cleve all the way! So proud of that guy and how far he has come over the past couple of years!!!! The others are great in this category but it HAS to be Cleve!
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Now lets wait and see how completely wrong I am! All the best to everyone nominated. You should all be proud of the achievement of getting this far!